Research Note: The Townscape through the Eyes of Migrants

Authors

  • Antonio Carlos Machado Guimarães Universidade do Vale do Paraíba
  • Pedro Ribeiro Moreira Neto Universidade do Vale do Paraíba
  • Nadia Santos Universidade do Vale do Paraíba

Abstract

These notes concern the potential of filmic material in approaching different ways of representing the landscape. In short, we are going to argue in favour of film as a tool in studying migrants’ perception of the town during the Brazilian urbanization process in the 1950s in that film became a useful wayl of filling in the gaps left by the lack of historical documentation and the impossibility of direct observation of social agents in their daily lives.

Author Biographies

  • Antonio Carlos Machado Guimarães, Universidade do Vale do Paraíba
    Programa de Posgraduação em Planejamento Urbano e Regional
  • Pedro Ribeiro Moreira Neto, Universidade do Vale do Paraíba
    Programa de Posgraduação em Planejamento Urbano e Regional
  • Nadia Santos, Universidade do Vale do Paraíba
    Programa de Posgraduação em Planejamento Urbano e Regional

References

• Foulcault, M. (1981). The order of discourse. In: R. Young (Ed.), Untying the text: A post-structuralist reader. Boston. London and Henley: Routledge and Kegan Paul.

• Velho, G. (2010). Metrópole, cosmopolitismo e mediação (Metropolis, cosmopolitanism and mediation). Porto Alegre (Brazil): Horizontes Antropológicos, ano 16, n. 33.

• Zukin, S. (1991). Landscapes of power: From Detroit to Disney World. Berkeley: University of California Press.

Downloads

Published

2015-04-15

Issue

Vol. 3 No. 2 (2015): April 2015

Section

Articles

License

  • Papers must be submitted on the understanding that they have not been published elsewhere (except in the form of an abstract or as part of a published lecture, review, or thesis) and are not currently under consideration by another journal published by any other publisher.
  • It is also the authors responsibility to ensure that the articles emanating from a particular source are submitted with the necessary approval.
  • The authors warrant that the paper is original and that he/she is the author of the paper, except for material that is clearly identified as to its original source, with permission notices from the copyright owners where required.
  • The authors ensure that all the references carefully and they are accurate in the text as well as in the list of references (and vice versa).
  • Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Attribution-NonCommercial 4.0 International that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
  • Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
  • Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
  • The journal/publisher is not responsible for subsequent uses of the work. It is the author's responsibility to bring an infringement action if so desired by the author.

How to Cite

Research Note: The Townscape through the Eyes of Migrants. (2015). Asian Journal of Humanities and Social Studies, 3(2). https://ajouronline.com/index.php/AJHSS/article/view/2288