“One Moment of Beautyâ€: An East-West Dialogue of Paul Tillich and Farewell My Concubine
Keywords:
Paul Tillich, Botticelli’s art, Chinese cinema, aesthetics, religionAbstract
This paper looks at Paul Tillich’s discourse on the religious dimension in art and culture, and the way Sandro Botticelli’s painting shaped his aesthetics. Since Tillich’s depiction of his encounter with beauty through art is so similar to a Beijing opera scene in Chinese filmmaker Chen Kaige’s movie, Farewell My Concubine, I will draw on Tillich’s aesthetic notions to dialogue with the motion picture. To my knowledge, there is no scholarly work in whole or in large part that analyzes Tillich’s thoughts in conjunction with this film from a theological perspective. At the same time, the opera scene discussed in this paper is also a less investigated aspect of this movie.
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References
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